Elitist Book Reviews

When Steve read SHADOW OPS: CONTROL POINT last year he was able to find both the good and the bad in Myke Cole's debut novel. His review (read it here) was fair and accurate, and I would have expected no less. When I read it a week ago I couldn't find as many good things to say of it. I recognized the potential within but I couldn't get past my intense hate of the protagonist, Oscar Britton. Ordinarily I would have skipped the sequel altogether but there seemed to be general agreement that SHADOW OPS: FORTRESS FRONTIER was an improvement over the debut. I wanted to see Myke succeed so I gave it a shot. For the most part I'm glad I did.

Colonel Alan Bookbinder is a glorified paper-pusher. Every day he faces armies of documents on the battlefield of his desktop. That is, until he unexpectedly and inexplicably manifests a magical power. In no time Alan is torn away from his comfy office, separated from his loving family. He is thrust into a logistics role at Forward Operating Base Frontier, America's armed presence on a hostile alien planet called the Source. When Oscar Britton escapes from FOB Frontier he causes a massive crisis, leaving the soldiers stationed there without support in the face of increasing assaults. To save the men under his command, Alan will have to become a true soldier and a true leader.

It only took a few chapters before I was able to breathe a sigh of relief. Alan Bookbinder (yes Bookbinder, apparently his occupation was fated at birth) is not the despised Oscar Britton. Despite being a desk jockey, Alan displays more courage in the first few pages than Oscar does in all of SHADOW OPS: CONTROL POINT. As an administrative worker posted on a frontline military base he is a fish out of water. He's painfully aware of his shortcomings, he doesn't delude himself as to his position in the scheme of things. He struggles to find his command voice and he's determined to do his job to the best of his abilities. It's charming to follow the progression of Alan's character arc as he learns to assert himself and eventually become a fighter and a commander. It's also neat to read from the bureaucrat's POV for once, given all the military fiction where "real" soldiers find themselves battling logistical and political red tape. It's also great to experience the Supernatural Operations Corps from a less negative perspective than Oscar's.

SHADOW OPS: FORTRESS FRONTIER doesn't waste much time getting into the thick of it. Having read the first book in the series I appreciate this greatly, though newcomers may not. Still, I think this book is mostly accessible to the uninitiated.

Things were going very, very well for the first 80 pages - and then Oscar Britton made his return. I knew that Oscar would be featured but I was unaware that he would get his own POV. I was far less enthusiastic about the following 80 pages. Oscar is as hypocritical and grating as ever. Not even the people he broke out of prison like him, and rightly so. At one point the character Swift tells Oscar that he is a "sanctimonious, self-righteous douche bag" so at least I'm not alone in that belief. You might also expect Oscar to be less trusting given the betrayals he has faced. All it takes to earn his approval is a few kind words and since that's the case I've got a bridge I'd love to sell him. "They told me you were dumb, just not how dumb." Go ahead and pile low IQ on top of that extensive list of flaws and you're left with a character that is impossible to care about.

I will say this about Oscar Britton, the anti-Mary Sue: he's no longer indecisive. I can't call him Lieutenant Waffles anymore.

Therese, the obligatory love interest is nearly as annoyingly smug as Oscar. It doesn't help that her only interest in Oscar is his status as protagonist. The relationship is heavily contrived. Sarah Downer is pretty well worthless. I started out hating her in SHADOW OPS: CONTROL POINT because she massacred a bunch of school kids with her magic and Oscar spent the rest of the novel making excuses for her behavior. I can't even hate her anymore. She manages to get horribly injured in almost every battle fought. Both books lack a strong female presence. Therese is a love interest, Sarah is an ineffectual child, and Woon (who is introduced in this book) undergoes no development.

I was excited that Harlequin made an appearance later on in SHADOW OPS: FORTRESS FRONTIER. His conflict with Oscar made him the hero of the first book in my eyes and though his POV is brief, it had me hoping that he might feature more heavily in future entries to the series. None of the other characters get much development. Most are flat and featureless. The villains are not "heroes of their own stories" they are just villains of this one.

SHADOW OPS: FORTRESS FRONTIER introduces the naga, a race of snake-people. The naga are much more regal and intimidating than the goblins. Including the naga and the Indians was a wise move on Myke's behalf. It expands the setting past the United States (and the US base). One of my biggest complaints with the first book was that it failed to capitalize on the global ramifications of the Great Reawakening. The naga are extremely cool and unique as far as fantasy creatures go. They, like the Indians, also have their own agenda calling to mind the quote, "Defend me from my friends; I can defend myself from my enemies."

The action is even tighter than before. The fight against the agni danav was a standout scene, and the battle at the finale is a thrilling moment. The combination of magic powers and modern military might against hordes of wicked creatures makes for an exciting read. The diplomacy with the naga can be just as compelling as a good fight scene. Portamancy (the magic of portals) is cool but it's so useful as both transportation and offense that the only way to prevent it from being overused to solve every problem in the universe is to give it to Oscar Britton, the wildly unimaginative grunt. Assassinating the witch Scylla could have been as easy as opening a portal behind her and shooting her in the back of the head but this is Oscar we're talking about. It would have been equally as logical for the SOC to send a scout sniper to take out Scylla from half a mile off come to think of it - she's powerful but not omnipotent. Alan's magic proves to be just another reason to love him. Alan does not belong to any of the establish schools of magic, instead he is somewhat of a magic thief. He can steal the magic of other sorcerers and bind it to objects. This struck me as a neat wink at the RPG crowd. Instead of the Flaming Sword of Xuzl you get ice-enchanted shotgun slugs.

In tone and plot SHADOW OPS: FORTRESS FRONTIER feels similar to more traditional military science fiction than fantasy. This suits me just fine. The first book was an irritating struggle against authority, revolving around the same argument time and again until the final page. This novel examines the challenges of leadership and duty. The writing is as strong as before, as that's something Myke already had a solid grasp of. SHADOW OPS: FORTRESS FRONTIER makes massive leaps of improvement over its predecessor, earning my grudging respect and affirming my faith in the potential of this series. Now if only he'd just kill Oscar Britton...

Recommended Age: 16+
Language: Lots of swearing, these are rough military types after all.
Violence: Death and destruction, guns and magic.
Sex: None.

Want SHADOW OPS: FORTRESS FRONTIER? Get it here. 
Or you can get SHADOW OPS: CONTROL POINT here.

Huh. Have this ever happened to you? You finish a book, and after you turned that last page you thought, "Huh. Not sure what I think about that."

Believe it or not, this doesn't happen to me very often. Usually I know right away if I love, like, or hate a book. I know if a book is mediocre once I read the final page. I know if it has cemented itself on my "Best of the Year" list. With Myke Cole's debut novel, CONTROL POINT: SHADOW OPS...I just don't know. Hopefully I come to a decision by the end of the review, otherwise this will get awkward.

SHADOW OPS puts the reader in the shoes of Oscar Britton. He's a military man in a world right in the thick of things going crazy. People are developing powers, and most of the time they have no idea how to control those powers. Things go quickly out of control, and those individuals often do terrible things. This is put on display in the opening scene, where a couple of teens with new powers are taking out all of their confused aggression on their High School.

It's a riveting scene. The confusion of feeling the main character has feels absolutely perfect. It sets up a style of writing that I was ready and willing devour. Britton then, obviously, develops powers of his own and becomes the hunted...for a few pages. Most of the story takes place with Britton working as a military contractor and learning how to use his power.

The world itself is well done. The reactions of the government aren't surprising in the least. His reactions as a government contractor are on par with what I see in that business every day. It's realistic. The magical world/realm/area (The Source) is pretty slick. It's a war-zone, and it feels like it was written by a guy who has experienced this sort of thing.

Sounds great right? I totally agree. But then I started having issues with things.

The main character, Britton. Teenage girls flip-flop less than his character, including the teenage girl in his unit. I understand that a soldier can feel conflicted. I've seen that with many of the soldiers I know personally. But being conflicted and having doubts doesn't necessarily mean that you are bi-polar with your reactions to EVERYTHING. The lack of consistency in Britton was one of the things that bothered me most about this book. To me, this wasn't a nit-pick. This was a major issue. He would do stupid, stupid things that weren't in character unless he had multiple personalities.

Many of the side characters would do the same thing. One minute I'm nodding my head thinking, "Right on, Myke. Your characters are learning and progressing. Awesome." Then the next minute the "magic reset button" has been pushed, and they are back to square one.

My biggest issue was with the ending. A betrayal is totally not foreshadowed. Oh sure, I can see where the author was trying to be all, "Hey there is more to this person than meets the eye." But that wasn't foreshadowing the betrayal. It was almost comical when the traitor is revealed. I kept imagining a Saturday morning cartoon villain rubbing his hands together while saying, "Mwahahahahahha! You never saw it coming! Mwahahaha!" It bugged me. And I can't help but think there was some ability-cheating at the end too. And in the end, the villains just seemed...impotent.

Now, I feel a little bad about all the negative. It super, super bothered me. So, you probably wonder why I kept reading. Other than the fact that I am a professional, and I always read a novel from start to finish, yeah, there were some things that were just excellent.

Again, the world is awesome. The introduction of powers is awesome. The government trying to regulate their use was perfect. The powers themselves are awesome and fairly familiar. The goblins are great. The real kicker for me was the action. It was fabulous. Chaotic. Violent. There were little "missions" that Britton's team goes on that are fantastic.

This is a debut novel that feels like a debut novel. There are major issues, but there are enough good things that kept me interested. I think some more feedback could make Cole's next novel pretty good. The real question is, do I think Myke Cole can fix the problems? Yeah, I think so. I think taking a very close look at character motivations and making sure they are consistent would have automatically fixed a lot of my problems with book 1. He's also surrounded by a good group of authors who can/should be able to help him avoid this mistakes in the next volume.

So, last question: will I read the sequel?

Without a doubt. No hesitation. I'll buy it happily (or beg Ace for the ARC). There is a huge amount of potential here. The more I think about CONTROL POINT: SHADOW OPS, and as I write this review, the more firmly the book lands at my line of "Mediocre" and "Like", falling on the "Like" side of that line.

If you are a fan of Military Thrillers, Urban Fantasy and Larry Correia-like novels, you will likely enjoy Myke Cole's debut.

Recommended Age: 16+
Language: It's full of swearing military people in high-stress situations. Yup, lots of swearing
Violence: Tons, and well described
Sex: Nope

Want to give it a shot? Here's your link:

CONTROL POINT: SHADOW OPS:

Note: Go to Cole's website: http://mykecole.com/
That background art is EXACTLY what makes me like the theme and feel of the novel. Pure, freaking awesome.

Admit it. Once upon a time you read Tom Clancy too. There's no shame in that admission. Clancy had some awesome stuff...you know, before he just seemed to lose his touch. CLEAR AND PRESENT DANGER. WITHOUT REMORSE. Yeah. Awesome. But here's the thing, there came a point where the story took a back seat to Clancy showing off how much he knew about the technical aspects of everything military related. If you go on for a full chapter talking about how a bullet works, and then don't do anything with that chunk of pages, you're doing it wrong in my opinion. It's about the story. It's about the characters.

Tom Clancy went away well before he wrote TEETH OF THE TIGER (I still shudder), and there wasn't really anyone who captured my imagination the same way.

This is the part where a lesser reviewer would say, "Until now!" I refuse to say that.

DEAD SIX is Military Fiction. It is also Larry Correia's first published collaborative novel. DEAD SIX is co-written with Mike Kupari, a newcomer to the writing scene. Now, I've read a lot of Larry Corriea's solo work. Typically it involves monsters get shot in the face with guns. Larry is unapologetically pulp. He writes for the fun factor, and he's proud of it. But here's the thing, he actually knows his stuff when it comes to weapons and the military.

When I read Military Fiction, I've noticed that if the author (or in this case, the co-author) is a guy who was/is actually in the military, the novel has some added "pop" to it. This is where Mike Kupari comes in. The guy, by definition, is a complete stud. Have you seen "The Hurt Locker"? It's about those crazy guys that go defuse bombs that are set with the intention of killing, well, everyone. Kupari is one of those guys. Seriously. Writer, off duty. Bomb defusing guy filled with awesome when in the field. Credibility? Pssshh. He sweats out more credibility in an afternoon that most of us every gain in a lifetime. And as cliché as it sounds, you wouldn't know by reading the novel that Kupari is new to the writing scene.

DEAD SIX is written from two First Person PoVs, each written by one of the authors. One PoV is Lorenzo, one of the best thieves and assassins in the world. His job is to kill the other PoV, Valentine. Valentine is a member of Dead Six, an elite military organization that is sent to the Persian Gulf nation of Zubara to perform counter-terror operations.

So how does DEAD SIX read? It reads like the good Clancy novels where the focus is on character and and story rather than textbook-like, useless details. There is a lot of action here. Kupari writes like a pro I never expected from a first-time author, and Correia writes like the pro author I've come to expect. This novel is actually pretty grim. The body-count is really high. Both Kupari and Correia manage to keep the tone dark and serious, all the while giving the reader enough humor to keep things from being too depressing.

Every little while I would stop an say, "Man, that was crazy over-the-top!" But then I would stop and think, "Nah, not really that over-the-top at all. Kinda scary. AND EVEN BETTER!!"

Here is what I like the most about this novel. I absolutely love the way the two PoVs contrast, yet have similarities. They are very much like opposite sides of the same coin. When they start having indirect interactions with each other, the enjoyment factor for the reader skyrockets. Then when they have direct interactions, it gets even better. This is the reason why I've always been a fan of collaborations. When both authors feed off of each other, the story's quality is insanely awesome. This is truly a case where the novel is greater than the sum of its two fantastic parts.

I'm pretty much always impressed by the way Correia goes about his business. It's why I like him, and why I will always read his novels. Not to take anything away from Correia (long-distance high-five, buddy), but I was seriously impressed by Kupari. I knew which author wrote each PoV (nope, not telling), and there was no drop-off in quality from one co-author to the other. I ran into Kupari at a local convention and told him as much. I don't think he believed me. You all know me well enough by now to know that I always tell the truth (and that I'm the most humble guy in the entire universe...by far). When I say it, I mean it. Kupari could stop being Captain America today and become a successful author.

So did I like DEAD SIX? Nope. I friggin' loved it. Every word of every page. I haven't felt this taken by straight-up Military Fiction since I read CLEAR AND PRESENT DANGER.

Buy it.

Recommended Age: 17+
Language: Military, assassins and crime lords. Yeah. A lot.
Violence: I feel silly even discussing this in a Military Fiction novel. Tons.
Sex: Nothing detailed.