Elitist Book Reviews

It's been a long time since I've read a book in three days.  (You have to understand that I work two jobs and have four kids, one of which is a two month old, so reading a book in three days is kind of like reading it in one sitting for me.)  From the prologue STEELHEART, by Brandon Sanderson, hooked me in and never let me go.  This is the type of book that begged me to slip away from family and read for just a few minutes more; to let the dishes sit in the sink for just a bit longer so I could read another chapter; to stay up late, no matter that I had work early the next day. I just had to know what was coming next.

STEELHEART is set on Earth after an event called the Calamity has appeared in the sky and started turning some people into superheroes.  I say super heroes because of their powers, but in reality every one of them (they're called Epics in the book) has in fact turned into a super villain instead. Steelheart is one of them, and one of the most powerful.  David was present when Steelheart claimed the city of Chicago as his own fiefdom and took over.  That was the day that Steelheart killed David's father. That was the only time that Steelheart had ever been hurt in a fight and David is the only witness to it.  The tagline for the book is (as far as I can tell) "I've seen Steelheart bleed, and I'll see it again."

The setting is really fantastic. By setting the book in a present day earth Sanderson can really get down to what it is these Epics do and how they work.  He can highlight the subtle (and sometimes not so subtle) changes in society as a result of these super beings.  I love the idea of a being as powerful as Steelheart claiming the city as his own.  No one can harm him so how can anyone stop him.

It's also fun to get this view of the world through David, a regular human in a strange world.  The book is written in first person so we get a very personal view of that world and David's thoughts.  A running theme throughout the book is David's inability to make a good metaphor.  He's about as bad at it as a cat with chopsticks trying to play dominoes (see what I did there?).  I wish I had written a few of them down for example here, but you get the point.  Reading the book is just alot of fun.

The thing that had me turning the pages though was the pacing.  This book moves along smoothly from one scene to the next.  There's plenty of action, but then even the interpersonal scenes are gripping.  As David helps plan to take Steelheart down you just race through the words wanting to see what happens next.  Also, I'm kind of a sucker for a cliffhanger at the end of chapters.  I love it. When you get to the end of a chapter and the last line is "And then I turned around and her sword was at my throat," you just HAVE to flip the next page and see what happened next. (That's just an example by the way that I made up.  As far as I can remember, which is pretty well, there are no swords at people's throats at the end of chapters.) Some may dislike method for keeping the reader reading, but I'm not one of them.

Guys, STEELHEART is a good book.  This is a book that my wife and I were fighting over to read (I won, by the way).  If you're a fan of Sanderson's work, go buy it.  If you're a fan of super heroes, go buy it.  If you're a fan of good books that you don't want to put down and keep you up late in the night turning pages to finish reading and then you're sad when it's over because you have to wait for the next book in the series and that's going to take so long and I don't think I can wait that long, then go buy it.  If you're a fan of slow boring books with no characterization and little plot, then I'd advise against it.

Age Recommendation: As soon as they can
Language: I think two words in the whole book and not major ones at that.
Violence: A few action scenes, nothing too gory, but it is there.
Sex: None

Want to buy the novel? Here's your link:

STEELHEART

I've mentioned this before, but I absolutely love to see established authors tackle short fiction. Take an Epic Fantasy writer; can that person actually focus and write a self-contained short story, novelette or novella? You'd be surprised at how often they can't. I'd suggest that writing a novel is a completely different skill-set than that of writing short fiction. So when I come across an author that can do BOTH well, I get pretty excited.

Brandon Sanderson is an established author. Love him or hate him (I think that on the whole, he is terrific) he's a household name for those that read Fantasy. One of my biggest complaints about Sanderson's work has been his wordiness. Lot's of people standing around, doing nothing terribly important to the story. A while back I was at a signing for a different author and ran into Brandon. I asked if he had anything new coming out that I should be on the lookout for, and he told me he'd email me LEGION and THE EMPEROR'S SOUL the next day. I read LEGION, and found it quite entertaining. But it didn't feel complete. It felt like a pilot to a TV series as opposed to a full story.

THE EMPEROR'S SOUL, however, is a complete story that reminded me of why I became such a big fan of his in the first place in reading ELANTRIS. Ironically, this novella takes place in the same world as ELANTRIS, though you wouldn't know that with a casual read.

SOUL follows Shai, a Forger who was caught in the act of trying to replace the Moon Scepter with a near identical creation of her own. That's what Forgers do; replace real goods with fake, or turn inferior goods into ones that match those of higher quality. Shai is due to be executed for her crime when she is given an opportunity she can't refuse.

Make a forgery of Emperor Ashravan's soul.

Emperor Ashravan was injured in an attempted assassination, and his empire's enemies will use this to their advantage if they find out. Shai has one-hundred days to pull it off.

In my opinion, THE EMPEROR'S SOUL is one of Brandon Sanderson's best pieces of fiction. Period. The story is tight and focused without an ounce of fat. The dialog is crisp, and doesn't meander as Brandon has been known to allow. Not only that, but completely absent is the overwrought wit that suffocated ALLOY OF LAW and WARBREAKER. This is a serious story, and that seriousness lends itself into every facet of the narrative.

In a story about forging, the biggest question that is presented seems to be "What is art?" Shai's only ally in this story is Gaotona, the Emperor's chancellor. Gaotona is frequently confused as to why Shai would spend so much effort on creating a forgery as opposed to creating something new. The beauty of this novella is how Shai's and Gaotona's views on art (amongst other things) intersect and merge as the story progresses, causing each character to grow in ways they never could have individually. It was natural. It was perfect.

I am a firm believer that we as humans only truly grow and progress when faced by seemingly impossible tasks. I've witnessed this in my own life and in the lives of those closest to me. The moment when the average person overcomes that impossibility is perhaps a work of art itself. I think that this is where THE EMPEROR'S SOUL shines, in letting the readers experience the very real changes that Shai and  Gaotona go through.

On a more meta level, I can't help but feel that maybe Brandon felt a little like Shai when he began completing The Wheel of Time. This novella felt very personal, and was made all the better for it.

One of the many criticisms I have of short fiction (including my own) is how they rarely seem to have a solid ending. They just kind of...stop. SOUL has a powerful ending that is uplifting and as near to perfect as you can get. I'm not going to spoil it (obviously), but I don't think it could have ended any differently and retained the emotional impact that it had.

Brandon Sanderson's THE EMPEROR'S SOUL is one of the best pieces of short fiction I have ever read. It will be on my Hugo Ballot, and it should be on yours as well. Go buy this novella. You will never regret it.

Recommended Age: 14+
Profanity: Nope
Violence: At the end we get some deliciously shocking violence that reminds us all that Sanderson knows how to writing action in a Fantasy setting.
Sex: Nope

Here is your link. Go buy it. Now.

THE EMPEROR'S SOUL

This is easily the most difficult review I have had the opportunity write.  I start it off much the same I way wrote the review for the previous WoT book.  It's difficult to write a review solely on A MEMORY OF LIGHT, without considering all that has come before.  Opening the cover of this book, and reading those first words, all the way to finishing the last words and closing the book, has been been an inevitability hurtling (sometimes crawling) at me for 17 years or so.

Drafting reviews for this book has been a frustrating experience. \ It would wobble back and forth between reviewing the series, and reviewing the characters.  Neither of those things are up for criticism anymore which, in my opinion, is the largest failing of our review of TOWERS OF MIDNIGHT.  I can't review the characters.  They have nearly as much of a history of existence as I do.  I can't review the series.  Those books have already been reviewed and the plot analyzed that some could get degrees on the subject.  Plus, and let's be honest, at this point in the series you'll read the book (or not) regardless of what we say.  I can't review Brandon's writing.  Number one, it isn't all his writing.  Number two, his writing stands on its own now.  Brandon can take a weekend, vomit some words into a manuscript, send it to Tor, have it be published, and it will still be awe-inspiringly professional.  This is Jordan's finale, not some weekend project.  Brandon took his care with this.  It isn't just professional, it's carefully crafted.

So, in my mind, there is only one thing left to review.  Only one topic left to discuss.  Its role as a finale to the biggest fantasy series of our time.  This is not going to be an impartial review based on story-structure, pacing, characters, plot, and content.  The book itself is going to be polarizing, and that's simply unavoidable.  With it being the end, there will be emotions running high, and many will love it.  Many will hate it.  And the reasons for both will be myriad, some more concrete than others. In fact, calling this a review may be a tad misleading.  There's too much baggage (good and bad) to review it the way I would another book.  So instead I'll do what I think all reviewers should do with the book.  Talk about how it felt.  How I experienced the end of the series.  If you've been paying attention, you can see I've already been doing that.  This, here, is just pointing it out for those of you who are slow to catch on.

Reading this book carried a weight with it.  Even the most mundane moments in the book were a fairly emotional experience.  And then there were the moments that hit me right in the feels.  Of those, there were more than just a few.  As a reader of the series I felt the end of an era rushing towards me, just as the characters felt the end of an Age roaring at them.  The writing here is good, but the emotional "meta" carries it into something more.  The characters don't think they will ever see each other again, same as we know we will never see them again.

It's actually funny.  Steve and I would lambaste this series for hours together, through post after post on forums, or even in our reviews here.  Over 20 years the series has been going, sometimes with huge gaps between books, with us wanting the next book, and the conclusion sooner.  We just wanted it to end so we could call it a day (twenty+ years) and move on.  We wanted the series to be finished, and that had become priority number one.  Now that it's over, and hopefully avoiding too much melodrama, I wish I had enjoyed the moment a bit more.  The Wheel of Time series is over, and these characters, for better or worse, that have been such a part of my, our, literary life are done. Frustrations aside, the series shaped much of fantasy writing today, and instilled a love for the epic fantasy genre in me, and to countless readers around the world.  To have that story finally come to an end is bittersweet.

Now obviously no one comes to EBR to read a review that's written like this, all about feels and such.  So in the interest of giving people what they want, as well as actively trying to avoid the length of the last two WOT reviews we did, here are a few of the more critical thoughts I had on the book.

Finishing up TOWERS OF MIDNIGHT, I realized it was a checklist book.  Business.  Getting things done to set this book up properly.  Still, as I mentioned way back then, the checklist eventually seemed small when all was said and done.  This book, though a finale, has a similar checklist feel to it.  There are so many plots and threads to a story of this magnitude that needed an end, and a lot of that didn't get resolved until the end.  Some of the resolutions being superb, and others...just okay. When I say "okay" don't think I mean disappointing, just that some were better (or much better) than others.  Yes, it might have something of a checklist feel to it, but it's a checklist I gladly put marks to. These are all of the things we have been waiting for literally years to see resolved.  And frankly, it was a lot of fun to start a segment of reading and realize, "Yes!  Here it comes!"

When I first started reading the series I always thought the last book would be called Tarmon Gai'don, and it very well could have been.  This entry weighs in at 909 pages, and the last 500+ of those pages are the war, with multiple battle scenes being depicted even before that.  It would be very easy to get tired of the constant battles, but it doesn't happen.  Brandon transitions quickly enough, and injects enough character and heart into the war events to make it a personal affair.  Sometimes it borders on the wordy side, but we knew that was to be expected, and one scene never overstays its welcome. There are also moments where the "Pattern" just makes everything super convenient--but again, we all knew that was to be expected. Killing Trollocs does become a little old though. It just seems like we are past the point of that being interesting. Especially when multiple characters make short work of multiple Fades.  The book does bounce around a lot during all of this, and it does get difficult to remember exactly which army is doing what (there are 4 battles going on simultaneously across the continent, and multiple armies in each).  If you've read R. Scott Bakker's THE THOUSANDFOLD THOUGHT, it has that same way of jumping around, just with more detail and longer scenes. The action sweeps forward and carries the reader with it, so we don't get caught slogging through nit-picky descriptions of army maneuvers to keep the clarity.  That would have been a boring book.  Still I can see this as something that will detract from the experience for some readers.  Especially those who read slower, knowing that you still have hundreds of pages of similar action going on.

Similar in structure to the above, are the series' trademark feuds.  It is the exact same experience as the actual battles, but on a smaller scale.  There are a number of feuds.  They are interspersed throughout the book, and make up a large portion of the content. Some will like this, some won't.

Speaking of trademarks.  The Wheel of Time is renowned, loved, and hated, for character immortality.  It's not likely someone will die, and if they do, well barring balefire, they come back. Constantly.  This changes a bit with the last book.  You know if someone dies, as far as we care and can be concerned they are dead.  So deaths had a lot more oomph to them, and there are obviously a lot more deaths here than in previous books.  A ton more.  Some will be surprises.  Some are actually main characters.  But, I personally, still don't feel there was enough.  I don't necessarily want to see the world burn, but for all the descriptions about how horrible and trying and difficult of an experience it is for the characters, I wanted to see more characters fail/fall, so the successes meant more. It's a similar complaint I have about the The Lord of the Rings.

The Lord of the Rings.  In THE EYE OF THE WORLD, it is very obvious that Jordan wasn't just inspired by it, but he modeled some of his story after it.  That emulation dissipated as the series went on, but if TEOTW is Jordan's THE FELLOWSHIP OF THE RING, AMOL is his THE RETURN OF THE KING.  So much so in places that I actually stopped reading and sat thinking about the similarities.  In fact, this has to be my largest complaint of the book itself.  In writing this, I originally pointed out the similarities--there was over a dozen of them that were incredibly strong, with many more that are more subtle--but in the interest of potential spoiler prevention I edited them out.  Let's just say it was way more than I liked.

Now, as to how it felt as a conclusion.  I'm completely satisfied.  The ending didn't drag on forever. Actually, it almost had an abrupt feel.  I expected a lot, A LOT, of falling action in WoT form.  But the ending snuck up and the book was closed before I knew it.  There are still questions hanging after the end, but the story, the plots we have been chasing, and the conflict we have observed, were completed.  No one I know thought it could be done.  It was too big.  Too much needed to happen for one book.  But somehow Brandon did it, and he did a fantastic job of it.  When I finished the book, I even sent Brandon a text, essentially letting him know I had joined the masses of Brandon worshippers for a minute (just one, though).

Because I think it is fun, I put some in the last WoT review, and because it's from these moments that the origins of this website were stirred, I want to include a little bit of Steve and I texting about the book as we read through it.
***
S:  So far it's not too bad.  Kinda explainy, but that's WoT for you.  I like the "holy crap, the end is here" feel so far.  You get far yet?  I assume so, you read faster than I do.
N:  Yeah.  Finished it today...
S:  What did you think?  No Spoilers!
N:  I actually quite liked it.  I liked the resolution.  I didn't expect that.
S:  Huh...  That's not the reaction I expected from you.
***
N:  Writing the review right now.
S:  Right on.  Thanks.  I'm halfway through.  Surprisingly entertaining.
***
There is no reason to include the content rating.  Swearing is done in WoT-verse language, and with (sometimes) hilarious effect in Elayne's case.  Sex is non existent in detail, and only referenced in passing.  There is a ton of violence.  An entire book of warfare worth of violence to be exact.  But it isn't graphic.  Hmm.  I guess I just included the content rating.  I guess a little bit of Jordan rubbed off on me, here at the end, and I just kept writing.

Thank you Robert Jordan for beginning something that created so many wonderful beginnings.  I may have moved on from adoration since I started your books, but now you hold my respect.  Tai Shar Malkier.

Thank you Brandon Sanderson for closing the Third Age and bringing the Dragon's Peace to fruition.

I love reading short fiction by my favorite novelists. There is a nice sense of focus in these works, and they serve as a refreshing change of pace and scope while usually maintaining the integrity of that author's writing ability. See, I really like Brandon Sanderson's work. But sometimes I just don't want to read a 1000 page Stormlight Archive novel.

LEGION is a novella by Brandon Sanderson, published by the fantastic Subterranean Press. This novella follows Stephen Leeds--or Mr Legion as he is sometimes called--a man with a unique condition. Leeds has multiple personalities, but this just isn't a normal case of a man who hallucinates. His hallucinations live with him in his massive mansion. Each of these aspects help Leeds by offering their own specialized skill sets, and Leeds uses these skills as a consultant of sorts.

You see, Leeds is a genius, and those aspects help him channel it.

Well, this assumes you believe Leeds at all. He says he isn't crazy. But really, should we trust him?

This is part of the fun of a story like this one. A majority of the story left me wondering if this wasn't all some elaborate fantasy. Right off the bat, we are introduced to various aspects of Leeds' personality. The gun-crazy Navy SEAL, J.C.; Ivy, the shrink; Tobias the...well, guy who seems full of every history and political science fact ever; and even a guy who thinks he is a dethroned King. All in all, this is a terrific intro into a story. The hook is set right from the very beginning. Every time a new character was introduced, I wondered if this was the moment we find out this is all in his Leeds' head.

The story follows Leeds as he is asked to consult on a case about a missing man with a missing camera. But not just any ordinary camera. This one can take pictures of the past. George Washington shaving. Famous landmarks before film existed. The potential for a device like this is staggering. I'm not going to get much more into it, since that would ruin the fun of the story for you.

Brandon's wit is a bit more under control here, in my opinion. This prevents the pacing from halting and keeps the reader immersed in the story. We get some very Science Fiction concepts, and some huge hints that this novella was just a test piece for something much, much bigger. I desperately want to read more of this character. This felt like a delicious appetizer that hints at an amazing main course.

In LEGION, we get the epic feeling that Brandon Sanderson is known for, but in a condensed and focused format.

If you are a fan of Sanderson's work, purchasing this is a no-brainer. It's worth every penny.

Note to Brandon: If there is one thing that bothers me about this, it is the gun terminology. Please talk to our mutual buddy, Mr. Correia to get this all fixed. It would have made the story even better. Neither the main PoV or his hallucinations would have made the mistakes that they were making in the story. Especially since Leeds is a freaking genius.

Recommended Age: 14+ Language: Barely any, and extremely mild Violence: Some, but none of it is described in wonderful, gory detail Sex: Nope Get it here:

LEGION

My favorite works by Brandon Sanderson are his Mistborn novels. From the moment I picked up THE FINAL EMPIRE all the way through the last page of THE HERO OF AGES, I was loving the series. I like all of Sanderson's novels, but the Mistborn series, for me, is far better than all the rest.

And now we have a new Mistborn novel, THE ALLOY OF LAW. When I received a copy of this in the mail, everything else went on hold.

THE ALLOY OF LAW is set 300 years after the events of THE HERO OF AGES. The city of Elendel is in the midst of an industrial awakening, and the characters of the past Mistborn novels are all referenced by way of varied religions. The story follows Waxillium Ladrian as he goes from being a frontier lawman of sorts in the Roughs to a lord over his house in the city--think equal parts Bruce Wayne and Wyatt Earp. The woman Wax is to marry is kidnapped, and thus begins the adventure.

First things first: THE ALLOW OF LAW is a standalone novel. While I imagine a bunch of the stuff from here will end up referenced in Sanderson's next Mistborn Trilogy, this is a stand-alone novel. The first two things that stood out while I was reading this novel was first, the evolution of the setting. Sanderson does an excellent job showing how this world has evolved from the city, to the religion, to the culture. It is all done logically and descriptively. It felt like the Mistborn world had actually evolved rather than just painted over with a vague, western facade.

The second thing that jumped out was the evolution in the magic. Waxillium (Wax) is a Twinborn. He can use both Allomancy and Feruchemy. Not only did Sanderson avoid falling back on having his hero be an all-powerful Mistborn (a nice touch), but he still managed to make his hero powerful by mixing powers together. It was an extremely refreshing blend of familiar and new, and honestly has me super excited for future possibilities. Seriously. Just think about it for a minute.

Yeah. Awesome, right?

The side characters feel like just that: side characters. They are fleshed out enough to give the story weight, and to make the reader like them. But don't expect the other characters to be fleshed out like you would from Sanderson's THE WAY OF KINGS. THE ALLOW OF LAW is a short (by Sanderson's standards!) novel. I'll tell you why I'm OK with this: the novel is focused. I wanted to get to know Wax, and Sanderson did that. No fluff. No wandering. No repetitive sections. Nope. THE ALLOY OF LAW is a focused and well-paced novel.

Did I love everything about it? No (when do I ever?). A lot of this comes to personal taste, so none of this may bother you readers at all. Remember WARBREAKER? Where all the characters thought they were comedians? THE ALLOY OF LAW has the same sort of vibe. Now I get that Brandon doesn't do super dark and gritty (which I would LOOOOOOOOOOOOOOVE him to do...he would KILL it!!!), but to me the humor in this novel was too much. Just when I would start to completely lose myself in this beautiful progressing world, Wax or his friend Wayne (another Twinborn with some awesome abilities) would do something so silly that I would be thrown completely out of the novel. Now perhaps this is my fault for expecting an actual Western...and when I think of Westerns I think of Unforgiven. ALLOW OF LAW is hardly Western at all. It's light Western, and light Steampunk.

But here's the thing, that humor only makes up a very small portion of the novel. If you are OK with Sanderson's humor, then you'll love this book. If, like me, you aren't a fan, then simply ignore the humor and focus on the gunplay and magic--you'll likely love the novel this way.

My favorite part of this novel was the ending. Not only do we get a very cool set-piece that shows how far the world has come, but we get some great action, a light twist, and then Sanderson has characters choose duty over desire. I was worried Brandon was going to go all "happily ever after" on me. Whew. Didn't happen.

It's hard for me to rank this book in terms of Sanderson's other novels. I like it better than ELANTRIS and much better than WARBREAKER. The jury is still out on how Stormlight Archive series is going to turn out. But THE ALLOY OF LAW isn't quite up to the standards of the other other Mistborn novels. I think this is due to it feeling more like a long novella that was able to sneak into novel-form. That's not a criticism, just an observation. The long and short of it is fans of Brandon's work will love this novel.

Now I know I said this is a stand-alone. I know Brandon has said this is a stand-alone. But c'mon, man! Give the readers another novel or novella in this setting using the Roughs you describe in the beginning. Do it Deadwood style. PLEEEEEEEASE!

Recommended Age: 13 and up.
Language: Hardly any. Abercrombie this is not.
Violence: Lots of gunplay and magic fighting. I dig it.
Sex: Nope. Abercrombie this is not.

Sometimes it is difficult to review a novel. In fact, this isn't even the original review we had written for TOWERS OF MIDNIGHT. There are so many variables that come into play that we have to take an accounting of, that we wonder where we should even begin. ToM, obviously, is one of these types of novels. There is the matter of the book itself; the story, the characters and the progression in the novel have to be considered. But then so does the rest of the series in one as large as The Wheel of Time. And to be objective when you all know we like our fantasy in the non-Jordan fashion. Yeah. It's all sorts of difficult to put a review of this type of novel together in a way that makes sense to you lovely readers.

ToM has all the markings of a Wheel of Time novel. For us, that means that it is very frustrating, punctuated by points of awesomeness. Many of you that know us have come to realize that we aren't real fond of the WoT as a whole. We feel the first chunk of the series is OK, but we also feel that the latter half is mostly absurd.

When Brandon Sanderson stepped on-board in THE GATHERING STORM, we noticed a distinct change in the narration style of that novel within the scope of the series. ToM follows that voice, and in fact is much more "Brandon" than "Jordan". It is mostly free of the garrulous exposition, and repetitive descriptions that plagued the other bloated novels of the series. Don't get us wrong, we love good description, and require it to give our thumbs up to a book, but not at the expense of plot progress. ToM doesn't have this issue. It doesn't have time for it.

Enough about our history on the WoT series. What about the novel itself? Here is essentially how our text messages to each other went while reading:

Nick: Steve, I've got good news and bad news.
Steve: Bad news first.
N: ToM is about Perrin.
S: You're not funny. What's the real bad news.
N: ToM is about Perrin....and Elayne.
S: I'm taking your birthday present back to the store.
N: Good news is that Jamiroquai has a new album out in the UK.
S: ...I know about Jamiroquai...I told YOU that in the first place. What does that have to do with ToM?
N: Nothing. I'm just reminding you, so that there was some good news. Remember, ToM is about Perrin.
S: Crap.
***later***
S: Oh hey, look. Our cameos.
N: I'm a drunk!
S: Yeah, so is your cameo.
N: Well yours is dead.
***later***
N: How far are you now?
S: zzzzzzzz...wha? huh? Sorry, Perrin was lamenting how he is a poor leader again. I must have fallen asleep.
***later***
N: Isn't Rand great in this book?
S: This is the guy we've been waiting for for, like, 15 years. Awesometastic.
N: Too bad he shows up in the book about as much as Lindsey Lohan shows up in the news sober.
***later***
S: The White Tower storyline... Seriously? WTF?
N: Yeah. I just dyed my hair black, put on skinny jeans, and started wearing trendy bracelets and band t-shirts.
N: ...you there?
S: Sorry, my wife had to talk me out of burning my Jordan collection. That emo idea sounds pretty good though.

We realize we said it before but we reiterate, ToM = periods of extreme frustration interspersed with moments of complete greatness. This isn't a dig on this book in particular or on Brandon's writing of it. That's the Jordan way, after all, and we have seen it time and time again in his books. And it leads us into our next points and the multi-faceted reason it can be so frustrating.

Number one. We have seen all of this before. Perrin whines about being a leader and a lord? Check. Perrin worries about losing himself to the wolves? Check. Elayne acts hypocritical and spoiled? Check. People don't communicate, leading to unnecessary problems and forced conflict? Check. These are all things that have been part of the character arcs since extremely early on.

To the point of repetition. Now we have to see Perrin really learning the wolf dream? Nifty, except he progresses the same way as when Egwene learned to be a dreamer. And when she trained everyone else, and we had to watch. Again, this should have been done novels ago. Oh wait, but we get to see Nyneave's trial to become Aes Sedai. And thematically it is the same as all the other tests we have seen. Remember when we had to watch all the Accepted tests that were extremely repetitive? Yeah. Same thing.

Number two. So much of the book is filled with all the mundane (Perrin/Elayne), and not enough of the amazing(Taim/Logain/Rand/Min). For example. We get loads, and loads, of Perrin chatting with Faile, usually about how much he sucks. Despite all the blatant evidence to the contrary, when everything he tries ends in the most spectacular success. Though we are inclined to agree with you Perrin. You haven't been cool, fun, or interesting to read since The Shadows Rising. Please go die at the Last Battle already. Take your annoying wife with you.

In addition to all the Perrin crap, we get so much Elayne nonsense that we both were tempted to keep an AED handy in case our heart stopped of stress while reading her sections. Elayne, Elayne, Elayne. You need to die. Now. Twice--it's possible in Rand-land. Much like Perrin, Brandon's Elayne's segments are actually spot-on as far as "voice". The problem is that the character's, as Jordan created them, are bad. They just suck as characters, and are impossible to like. In the full series, we can think of no character as hypocritical as Elayne. She is who she is, and we hate her. Quote: "We can't afford to be short-sighted right now." Right, Elayne. We can't. So how about you put on your big-girl panties and think about the last battle instead of selfishly seeing what you can take. Right now, Elayne is acting exactly like those idiots that go looting during riots and disasters. "I'm going to expand all my borders, and squish Perrin for being rebellious! I'll take more and more kingdoms! What? Tarmon-what-cha-callit has started?"

Number three. With all this mundane tom-foolery filling up the book, the pacing feels off. The REALLY important things, take about half of a chapter to resolve and come together so cleanly and easily that any climactic feel they could have had, was completely lost. This right here is the single greatest failing in ToM.

There are numerous plot threads resolved in ToM--more than a few,in fact--which was very refreshing. The problem is that they were either wrapped up in a very unsatisfying way, or they were largely irrelevant. In fact, one of the plot threads ends in one of the most blatant maid and butler scenes in recent SFF history. You'll know it when you see it, and it involves, of course, Perrin amidst a scene brimming with repetition. There is also a major event that rivals Winter's Heart in magnitude but it is handled in a paragraph or two, and with a shrug of shoulders. Nynaeve does something really cool, and it takes her absolutely no effort or time to figure it out. It was like pulling a rabbit out of a hat and yelling TA-DAH!

Everything is robbed of intensity when it all comes together so cleanly and seemingly without effort.

Let's talk about a few of the other characters that had lesser parts in the book.

Rand. This is the Rand that we have been waiting for. A character worth reading about. He has a full range of emotions that are used to great effect. Every time he shows up, he is utterly incredible. He owns up to his mistakes the way a general/leader/king/warrior/farmer/messiah should. How we wish that we could have had more of Rand, and less of everything else. With Rand, as it stands, this novel was redeemed by a large amount. Again though, why can't he just communicate? It would solve so many problems. His justification, now, is that there isn't time. But so much time would be saved if he would just take some of it to communicate, and talk.

Mat doesn't feel as "off" as the last novel. There are parts where he is funny again, and parts where he genuinely warms the heart. There are also a couple sections where he feels a tad forced. Maybe a knee-jerk reaction to TGS where he didn't seem like himself at all. But it was a major improvement and a very welcome addition to ToM. We were pleased with most of Mat's presence here. The problem is that his portion of the novel (and something that fans have been clamoring for, for years) is resolved so quickly and cleanly (well mostly) and we are left with more of Perrin sulking.

And, finally, Lan feels wrong. All wrong. He comes across as a petty whiner. Luckily he's hardly in the novel.

Speaking of hardly being in the novel. There are some extremely important things and people that should have been here, but were AWOL. Things that need more time than a final novel in a series. We can't really talk about what's not in the book without heavy spoilers, but when you finish the book we guarantee you will agree.

Ok...Here comes something new for EBR.

***Spoiler Alert***

Yes, we are breaking our rule here. Reader's find out this information in the prologue, and it is obviously expected, and a huge gripe of ours. So here we go.

Graendal? Really? "To get to Rand, I'll go after Perrin! I'll bring the D.O. his head! It will RUIN Rand! HA!" Really? Hi Graendal. Welcome to the plot of The Wheel of Time. Look around you and maybe you'll see that this isn't a new idea. You must have watched Spider-Man 3 in your cave between books. The very fact that Graendal is even ABLE to say these things ruins some of the awesome from TGS. It's like ToM pulled an Alien 3 on us. Thankfully she is resolved also.

Again, a lot is resolved. A lot of answers are given. This is really what ToM has going for it. A very large chunk of plot threads are tied off. Yeah, lots of them feel extraneous, but there are a few big ones finished up. Yeah...a lot is tied off. Finally. You see, ToM is a checklist novel. It's taking care of all the stuff that has been stagnant for the past...uh...forever. If these last three novels are looked at as one full piece of work, ToM is the, usually, boring middle section of the novel. It just is. Now, that said it has more movement in it than we are used to from a WoT book. A LOT MORE. It moves at breakneck speed compared to many of the others, but the repetition and unimportance of so much of what is moving makes it much less awesome. It was good, but not awesome.

It's all housekeeping.

In THE TOWERS OF MIDNIGHT, Brandon Sanderson is tasked with cleaning up a huge number of loose ends that should have been taken care of forever ago. His no-nonsense narrative helps overcome this portion of the story that feels like a laundry list. Brandon is working with the deck that was given to him, and he is doing amazing. Are there problems in this novel? Heavens yes. Does it have some awesome stuff? Oh yeah. Battles are great as usual. Rand is amazing. The secondary characters are better than the main characters in many cases. It is a Wheel of Time novel. There is going to be lots of frustrations, and lots of different stuff that will appeal to a variety of fans.

We have spent a lot of time, more than usual, on the characters and our reactions to them. Perhaps the fact we have such a violent reaction to them is that Brandon is doing a great job of writing them. As usual B's writing is top-notch. He is our friend, but we definitely don't pander to him. There are things we wish he would do differently, but what he does, he does in an incredible fashion. In a time in the industry when the gritty, dark, and gray are ruling supreme, Brandon writes Black and White and fantasy that is reminiscent of the good old days, and it is good. We can't stress enough how much we liked most of how ToM was written (with the previous items mentioned excluded from the list). The "When" of the novel is cloudy sometimes, but it is mostly free of confusion in that regard. The PoV's, transitions, etc., are all crystal clear. Kudos B.

Did we like ToM? Yes. The more we reflected on the book though, we realized how so many important things that should have been on the checklist were left off, and how minor the checklist seemed afterward. We liked this book, but juuuuuuuuust barely.

Recommended Age: There's no real age rec. for WoT.
Language: Nope.
Violence: Yes. Action has always been handled pretty well in this series, and ToM is no exception.
Sex: Nope

From the very beginning you know THE WAY OF KINGS is a novel by Brandon Sanderson—you would know it even if his name wasn’t imposed over a Michael Whelan cover. Sanderson has made a name for himself through his imaginative magic systems, and TWoK is no different.

He starts with the pacing set at a sprint. Following a series prelude (yeah, there is a prelude, then a prologue), we are put right into the action of things with a mysterious assassin, Szeth. Right from the onset of the novel we get hints of political intrigue, and of shadowy organizations pulling strings like puppeteers. What it seems to us is that Brandon is trying to start faster than his previous novels. His habit has been the slow burn in pacing followed by an explosion of craziness. Not so much here. Is this a good thing, or a bad thing? Really it will depend on your personal taste.

Ah but we get ahead of ourselves.

TWoK is a hard book to summarize. The worlds that Brandon creates are always well envisioned. Effort is made to make them stand-out. That said, there is usually a bit of familiar in them. The best way to describe the world in TWoK is to say it feels like a rich sea floor…but without the sea. Huge storms ravage the surface of the world of Roshar regularly, and that surface has adapted to them. Plants and animals retreat into hardened shells for protection. Cities themselves are built only where there is a measure of safety. There is a very alien feel to it all, and for the most part, Brandon makes it vivid and easy to visualize. It also helps that there are some seriously incredible sketches of the various creatures of the world come to life. We love interior art work.

As for the plot itself, we’ll give you the basics without spoiling the details. War. Lots of wars and battles that are treated almost as competitions, and an excuse for personal gain. For greed. It becomes quickly apparent the level of stagnation that pervades the armies through these motivations. Brandon does seem torn throughout the course of the novel. At times the story is purely setting based, and yet at others it focuses exclusively on the characters. A smoother blend may have been nice, but really this is just a quibble.

Characters. We know Brandon, and we know how much effort he puts into making characters unique and likable. While not quite as good as his MISTBORN trilogy (yet), the characters in TWoK are pretty solid. Kaladin is a promising general on the rise who ends up a slave. Dalinar is a commander of one of the various armies fighting for honor and riches, but he has begin questioning the motivation behind it all while suffering vivid dream-visions of the past. Shallan is an artist whose goal is the theft of a priceless magical conduit. All-in-all, they are great characters. Except…

Look, we like shades of gray. There is none of that with the main characters. They are all good guys, regardless of some of their misleading attitudes and actions. We just wish there were less black-and-white characters in his novels. This isn’t really a major criticism, just more of an observation. Brandon’s characters in TWoK tend to go pretty emo as well (if we are honest, it caused some facepalm moments). Either that, or they are tough as nails. There isn’t a lot of in-between. Most people won’t have issue with this, but we felt we should bring it up. We ARE honest after all. It’s our third best quality.

As we mentioned earlier, the pacing starts out at full-speed. It serves its purpose in hooking the reader—and it does that extremely well. Things are crazy early on. We get assassinations, epic battles, solitary heroic feats, dramatic failures, terrifying situations and awesome magic. We get all of this FAST. There is a full book’s worth of awesomeness in the first third of the novel (which we guess is the actual size of a normal novel…TWoK is a 1000+ page behemoth). The issue with this? The middle third of the novel. When you start the novel with a peak, and end it with one as well, there is bound to be a valley in the middle. That middle 400 pages, while extremely interesting, can drag for less-than-patient readers…especially when that first part is so fast and breathtaking.

As we mentioned, this is the first book in a series. A BIG series. Ten books big. As a result, there is a lot of set-up here. It is done as well as can be, but it is very noticeable that we are embarking on a long, long trip. Our personal hope? That it is broken up a bit like Adrian Tchaikovsky’s Shadows of the Apt series. What we mean is that the first few books become effectively a trilogy or quadrilogy. Then two more sets of three. Reading a straight ten book series feels daunting. Not knowing the end until at least 2020? Yikes! Again, just being honest.

We don’t want to make it seem like we are bashing TWoK. We aren’t. These issues are pretty small-time, and won’t matter a bit to the very large majority. So we’ll end with what we DO like. We love the learning curve. This has a much steeper one than any of Sanderson's prior novels. We like authors in the fantasy genre to challenge us, and to make us think for ourselves. Now this isn’t quite at the Erikson Learning Curve level, but it is still fairly high. We can’t stress how happy we are that Brandon is doing this. We’ve been begging him since ELANTRIS was released to go this route.

TWoK is also better than his previous novel, WARBREAKER. The writing is better, the story is better, and the characters are better. In our opinions, of course. Which are fact. Really, we liked this better than ELANTRIS too. TWoK is right there with his Mistborn Trilogy. We haven’t read a Brandon Sanderson novel we didn’t like (a trend unlikely to change over the next decade or two), and the Mistborn trilogy is high on our list of GREAT books. So when we say TWoK is almost (juuuuuuuust below really) as good as MISTBORN, it is a compliment. High praise indeed. And this was just the first book. This series has a HUGE amount of potential. This could very well turn into one of our favorite fantasy series ever by the time it finishes.

Brandon's chapter leads, though always great, are freaking awesome in TWoK. Once you get to the end of the novel, suddenly they take on a whole different meaning. This is how chapter leads should be done. We're not sure where they have been done better. Ever.

We love the clarity of the action sequences. The Bridge Crew scenes (especially the first few) are gripping, chaotic, and terrifying. The Shardblade duels and battles are artistic and flashy. Everything truly has its own unique flavor. While the very end seems like it is a little less than it could have been, the final section of the book (originally conceived as a series of epilogues, but now its own section in the novel) is fantastic. It really is a moment where, as the reader, you say, “Oh crap. Everyone is soooooooo screwed!” Love it (in truth, it may have been Steve’s favorite part…other than the Szeth scenes).

THE WAY OF KINGS, Book One of the Stormlight Archive, is a fantastic opening entry in a truly epic (in every sense of the word) fantasy series. Every reader of the fantasy genre should buy this book immediately. Fans old and new will enjoy all 1000+ pages, and will be anxiously awaiting the sequel. We sure are. Of course, we’ve already been waiting for the sequel for a year now…‘cause you know, we did read this last year. As Nick is fond of saying, “Neener neener.”

Recommended Age: 15 and up.
Language: Not really. Made-up oaths and such.
Violence: YES!! Have we mentioned how much we love Brandon’s action sequences?
Sex: Noppers.

THE GATHERING STORM. We know that you have all been waiting for us to write this review. You know what this book is, and you likely had some sort of strong feeling when you found out that Brandon Sanderson would be completing the late Robert Jordan's epic series. Some of you felt as though demon's had taken over Tor and killed Santa, and some of you felt a profound sense of relief just knowing the series would be finished.

Truthfully, we weren't in either camp. Oh we were glad when we heard our buddy Brandon was finishing the series--we tend to consider him a great writer--but we wondered if anyone stood a chance at making this series enjoyable again.

Before you get your panties all twisted up, let us explain. This IS going to be a rather long review, so go to the bathroom before continuing.

For us, part of the difficulty in reviewing THE GATHERING STORM was treating it as a separate novel, and not letting our feelings for the prior eleven novels (and a novella) get in the way. It shouldn't be much of a secret that we don't care for The Wheel of Time--specifically, anything past LORD OF CHAOS. Yeah, that's half the series ago. We both grew up in the fantasy genre reading Jordan's series--Steve started the WoT back in 1993, and considers it the series that really got him into fantasy. Nick started even earlier. But with book seven began a long list of problems--most of which consist of "Nothing Happens." So when we read THE GATHERING STORM (TGS), we had to wonder if our feelings were real and geared towards TGS, or if they were nothing more than a reaction to the series itself.

In some ways, we can't--and won't--keep them separate. So, we are going to endeavor to give you our honest PoV. We liked some of the novel. We disliked some of it. You want details? Of course you do...especially if you are a "Jordan Fan."

Characters:
TGS mainly follows Rand and Egwene, and honestly, their portions feel pretty spot-on. We don't know which parts of the story Brandon wrote as opposed to the sections Jordan wrote/dictated. Frankly we don't care.

What we will say is that Egwene was easily one of our least favorite characters from the very VERY beginning of the series. However, her sections in TGS were the highlight of the novel, and we found ourselves coming to the realization that Egwene was no longer a carbon-copy of all the other female characters. She grew into someone stronger. In the scope of this one novel, Egwene goes from being one of the worst characters in the series (In our opinions, mind you. All you Egwene lovers keep your pitchforks stowed away.) to one of the best.

As for Rand? He actually manages to interest us. Rand, out of necessity, has been a fairly flat character over the last few novels. We see him falling further into madness, and for the most part it is well done. Not to mention, Rand actually LEARNS stuff in this book. No more "Yay! I solved it on accident!" Thank-freaking-goodness. The main issue we had with Rand deals with a certain part of the novel where you think Jordan and Sanderson are going to change the "danger" aspect of the series...and then they don't. In what should have been a heart-wrenching scene with Rand and Min that turned our stomach, instead we ended up feeling cheated. If you've read the book, you know the scene. If not, you'll know it when you get there.

Let's talk about Mat. It's pretty safe to say that he is most people's favorite character--we include ourselves in this group. We are going to be blunt here. Mat's sections are poor. It's not that they are just "off," which they are, it's that they feel like filler. Remember when you used to skim other sections just to get back to Mat? Why did we find ourselves skimming the Mat sections to get to other PoVs--namely Egwene's. In fact, the one section of Mat's--where he is coming up with fake back-stories--feels a lot like he was getting ready for an RPG session. It just feels pointless. It really is disappointing. Seriously, just leave him out of the book. It's been done before. It would have been better than the meaningless sections included in TGS. Perrin managed to stay off screen just fine, why not Mat? Don't include him if there is no cause to. It just ends up serving as needless filler and taints our view on the character...and really, Mat was the only reason Nick was even still reading the series.

Other characters? Well, this is really a mixed bag. For many of them, the tone is off. We'll include Elaida here--who went from being slightly unstable to almost laughably bonkers (laughably in a bad way). Cadsuane seems like a waste of a character, and we wish Rand would have executed her. Sheriam? It's no secret that she is losing it due to the strain of being Black Ajah. And yet she goes completely out of character at the end of the novel--it felt rushed. Siuan's sections are painful to read at the beginning due to the insistence that she throw in random sailing/fishing references EVERY SENTENCE. At the end, it isn't as strong, and her character begins to "feel" right. Gawyn is terrible. His dialogue is so forced, and we really don't get to see the full potential of his conflicted loyalties as we should. Really every other character felt solid (from Nynaeve, to Min, to Perrin, to Silviana), and the problems with the other characters can mostly be overlooked since their sections are relatively short. There was only one character (besides Mat) that was beyond infuriating.

Verin.

Seriously? WTF (What The...err Frak)? Her character is turned into a magic bullet so we could get the plot moving? How convenient. Gee, it's a good thing she came along to reveal herself (Not THAT way. Get your heads out of the gutter). Now, the WoT has made a career of using coincidence and convenience to solve issues and further the plot. Generally, you could over-look it and say, "It's the Pattern!" The section with Verin is beyond that. There may as well have been an annotation saying, "This section was included for the sole purpose of redirecting a meandering plot and forcing the story towards the end without having to get into much detail." If this was the intention of the character all along, then it should have been a big deal early on in the series.

All in all, the main differences here from prior novels are the characters being extremely introspective. In addition, the conversations they have are extremely blunt and to the point. Was this an addition of Brandon's? The introspection very strongly suggests him, but we hesitate to point a finger. And you know what, maybe it was a good thing. It certainly freshened up the series for us.

Whew. Onward!

The Story Itself:
It's pretty good, especially the last 150 pages. The beginning was typically slow with a ton of set-up. In this case, it isn't a problem. Remember, this is essentially the first third of a huge novel. We need a little set-up that doesn't go all CROSSROADS OF TWILIGHT on us. TGS does the set-up well, while introducing plot elements (or furthering previously introduced elements) that will be crucial to 'The End', but won't take too long to wrap up.

We can't really say a lot here--the whole non-spoiler thing--but we will say that epiphanies come like crazy throughout the story. Most of them are good. The final "battle" scene came up a bit short...but maybe that just has to do with us expecting Steven Erikson-like battles at the end of a book. Brandon had to end this novel somewhere, and TGS ending was aptly picked. There should be some serious and immediate consequences--something that has lacked in prior novels of the series.

One thing we did notice: TGS gave us the first REAL feeling that the series was coming to an end, and if felt GOOD. In any other series, this could have been the final book. It really feels like Jordan and Sanderson are seriously wrapping up plot threads. Once again, this is a good thing. A really good thing. We have the movement that we have been lacking for five novels, and a goal in sight. This is what made the novel for us.

There is one thing that bothers us, and it has been a problem for the entire series. At one point in TGS, an Aes Sedai says, "What does it matter, we are going to win anyway right?" This is the same impression that we have had for a while. There is no danger. We don't worry about any of the main characters. We know the good guys are going to win, and at this point we figure it will be all neatly tied with a pink (maybe yellow) bow. We don't even really care who gets killed during the last battle, since no one stays dead in this series. We are praying that this doesn't happen. Please, let it end messily.

Writing:
This was the big concern most people had. Could Brandon fill in the spaces Jordan left open and tell a WoT story? Not only that, but could he tell wrap up the story WELL?

When this whole scenario was first announced after Jordan passed away, Steve had a nice, long chat with Brandon. Brandon was understandably nervous. He worried that he wouldn't be able to do the series justice. Steve told him, "Look, it's not like you can do any worse than what happened with the new Dune novels. I'd say you are in good shape." Yeah. That was Steve's idea of a motivational speech. There were no "Huzzahs!" to be found. But really, the principle was sound. We know Brandon, and we knew how serious he was taking this opportunity. He is a great writer, and we knew that if anyone could take a series that was--excuse the WoT reference--floundering like a silverpike on land, and use Jordan's outline to get it back on track, it was Brandon. He is a professional.

And really, all the drama and doubts amounted to nothing in the end. Brandon did fine. In some cases there were word usages that were distinctly un-Jordan. The WoT swearing was off for the entire novel. Oh well. There are worse things that could have happened (once again, see the new Dune novels for a reference on how to destroy a series). We've been reading some other reviews around the internets, and some claim that TGS reads like fan fiction, and that Brandon's writing is terrible. They are idiots. The writing is just fine (not that they really know for sure which parts Brandon wrote and which parts were Jordan's). In fact, some of the subtle (and not so subtle) changes that we did notice were welcome. It pulls WoT a little into the modern style of fantasy.

One last thing: We liked how the annoying "all men are idiots" mentality was all but removed. It was old, repetitive, and added nothing to the plot. In addition, we liked the toned-down description of meaningless objects. There was a lot of repetition in description and dialogue, but nothing too major.

The small writing problems we did see can easily be fixed. We have faith in Brandon, and so should you. These small problems will resolve themselves over the last two books.

Overall Impression:
We thought the book was pretty decent. Not great, but not bad. We'd put it on par with book 5 (coincidentally our 5th favorite--book 2 is our #1), and a far cry better than books 7 through 11.

We didn't just feel book was decent because "stuff happens," because really not a ton does happen(or what does happen is wrapped up in a few pages). Dumai's Wells, the ending wasn't. The book was decent because we have movement. Because actual plot-lines were somewhat wrapped up.

We both had the same two thoughts after finishing the book:
1) Yeah, this makes me look forward to the next novel--especially since it is only a year away.
2) It was a quick read, and now I'm ready to move right on to something else. This wasn't the book that makes me want to read it again as soon as I've finished it.

In short, it seriously felt like the series has taken (or was given) a major course correction. Some of the plot-lines were delicately guided back on course and back into focus, while others were yanked and forced. The end goal is the same in all cases--getting the meandering story back on track, and ready for the final two novels of the series. If this was indeed the preparatory goal of the novel, then it succeeded.

***

We aren't even going to bother putting our rating systems on this review. Novels in the WoT don't need it. It is one of the cleanest fantasy series in the market, and can be read by all ages.

What we are going to mention, however, is how thoroughly pissed off we are at the UK edition of the novel.

While the UK edition may have the superior cover, it is counter-acted by extremely poor binding - thinly glued instead of stitched. Orbit UK dropped the ball here. By the end of Steve's reading (a very GENTLE reading), he could already see where pages were looser. Nicks US version didn't have this problem in the least--it just had the worst cover in the history of fantasy novels (who knew that Rand looked like Freddie Mercury, and had Celene Dion as a backup singer?).

This feels like Orbit UK trying to squeeze every penny out of TGS rather than making something of quality.

The solution for you serious fans? Import the UK edition, buy the US version, then put the UK dust-jacket on the US novel.

The last thing we want to reiterate is that we feel Brandon did an excellent job. He didn't try to be Jordan, which would have been a disaster. Consider what he accomplished. Not only did Brandon finish up this WoT novel, but he also wrote his own HUGE novel, THE WAY OF KINGS in the same year. Having read THE WAY OF KINGS already (yes, it is awesome), we feel like Brandon grew up a lot while writing TGS. This has really become a win-win situation for readers. WoT readers get to see their fav. series finished up in a competent--if different--way, and Brandon's own writing ability has grown tremendously.

Relevant Links:
The Gathering Storm - US Edition
The Gathering Storm - UK Edition
Dragonmount.com - A Wheel of Time Community
brandonsanderson.com - Brandon Sanderson's Website
WoT Encyclopaedia

There is this guy named Brandon Sanderson, and if you read fantasy with any regularity, you know who he is. If you don't know who he is, you should really read more. Seriously. Not only is he the talent in epic fantasy, he is finishing the WHEEL OF TIME for the late Robert Jordan. Sanderson is a gifted author, and WARBREAKER, his newest novel, shows why.

Color (as in dyes, etc) is power. A person's breath let's them breathe life to inanimate objects. A talking sword that begs to kill things. Sound like an intriguing magic system? It should. Sanderson has made quite a name for himself by inventing unique and enjoyable magic systems. WARBREAKER essentially starts with the wrong, untrained daughter of a king being sent to another country to prevent a war from breaking. A great start to a great novel.

While we found ourselves engrossed in the world created in WARBREAKER, it's not to say it didn't have a few...shortcomings. We like our epic fantasy gritty and dark. We love action. We do like a little humor, but prefer it to have it's place with certain characters, and only in certain situations. If we want humor everywhere, we pick up a Terry Pratchett book or a Douglas Adams novel. In WARBREAKER, it seems like everyone is trying to be witty. We enjoy it with the character Lightsong. It has some funny moments with the mercs. But it seems like everyone wants to be the king/queen of the witty quip. It's not a bad thing, just not what we prefer. Also, it is in need of a sequel, which we won't be seeing any time soon, but look forward to.

WARBREAKER is more light-hearted than we typically enjoy, but it was still an excellent novel. This is a fantastic work that appeals to a huge audience. While we felt his MISTBORN series was superior (And that is what we are all about), WARBREAKER is, in our awesome opinions, a book you should have bought the week it was released, here.

Recommended Age: 13 and up
Language: If there was any, we don't remember it.
Violence: There is some, but this is more a novel about political intrigue. Though the sword is pretty awesomely violent.
Sex: Yes and no. Hard to describe it without having a spoiler. What little there is has been handled tastefully, and has purpose.



Not that he needs more publicity (wink), but head to his website.


http://brandonsanderson.com


Also, the crazy awesome Dan Dos Santos is the artist of the beautiful cover of WARBREAKER. Go give him some respect. He's earned it.


http://www.dandossantos.com